• Eileen Quinlan, Sister, 2013. Gelatin silver print. Image courtesy of Miguel Abreu Gallery.

      Eileen Quinlan’s Curtains at Miguel Abreu

      Monday, 9 December 2013 09:01

      The appropriately titled Curtains, Eileen Quinlan’s spare exhibition at Miguel Abreu, unsettles in ways few shows dare. The 24 black-and-white prints, all gelatin silver, communicate a spirit that is both cryptic and choleric. They dampen, these images, as in deaden. They silence. One feels in their presence as if having stepped into the afterings of […]

    • Dave Schubert, Dash Snow in the Bathtub, 2013. Enlarged C-print. Image courtesy of Rox Gallery.

      Beware the Membrum Virile: Ascension Exhibition at Rox Gallery

      Friday, 6 December 2013 09:00

      The press release for Ascension describes an exhibition where “fragmentation abounds in multitudinous ‘selves’, highlighting large-scale interactions between national and, arguably, mystical realms.” My impression, however, in moving through the two-level group show was that the artists in the gallery’s meandering lower level were engaged in a more interesting and urgent discussion about a virulent […]

    • Image courtesy of Lang/Baumann and Gestalten Press.

      More is More by Lang/Baumann

      Thursday, 5 December 2013 09:00

      Whether you see them as architects, sculptors, painters, or installation artists, one thing is clear: Lang/Baumann are here to bend your mind. Their large-scale installations consistently challenge the boundaries between the surreal and the commonplace, and their book, More is More, is a vivid portrayal of their best work. More is More is a photo […]

    • New From Primary Information: Florian Hecker’s Chimerizations

      Wednesday, 4 December 2013 21:42

      As Stefan Helmreich describes them, auditory chimeras are sonic events created by “sieving one sound through another.” This act combines the pitch and texture of one sound with the envelope (attack, decay, sustain, and release) of another. It is a sort of translation, where the material being translated acquires characteristics of the material it is […]

    • Detail of a work by Henry Darger. Image courtesy of the author.

      Beyond the Wall: Outsider Art Goes Inside

      Wednesday, 4 December 2013 09:00

      This past October, famed UK street artist Banksy spent a month in New York City, leaving behind 31 provocative works in public spaces scattered throughout the city’s five boroughs. Each new piece threw the press and public deeper into the kind of frenzy usually reserved for pop culture events like a new Harry Potter book […]

    • Moved Objects by Arini Byng and Georgia Hutchinson

      Tuesday, 3 December 2013 16:02

      Mass, plane, line, sphere, and cylinder—all of these abstractionist tropes make repeated appearance in Moved Objects, a new book of work by Georgia Hutchinson and Arini Byng which has been published by Perimeter Editions. These recognizable geometric volumes are carefully placed to point a finger out of the land of sculpture and back towards painting, […]

    • Michael Zanksy, Flatland 5, 2013. Blowtorch on paper, 52 x 72 in. Image courtesy of the artist.

      Burning Man: The work of Michael Zanksy

      Monday, 2 December 2013 09:00

      Who needs Banksy when you have Zansky as a natural resource?  His fire drawings now on view at Stefen Stux are a remarkable mix of skill and innovation. These large scale line drawings have the look of faded sepia sketches of Da Vinci or badly faded enlarged photocopies of twentieth century cave paintings. Upon closer […]

    • Image courtesy of Container Corps.

      Clouds: An Illustrated Taxonomy by Ben Young

      Tuesday, 26 November 2013 21:54

      In no part of Clouds; An Illustrated Taxonomy does the book claim to be art, but it has to be the most beautiful scientific guide on the market. This sleek little volume is bound in simple-yet-elegant silver covers and printed on matte black paper; it is a far cry from its inspiration, The International Cloud […]

    • Raqib Shaw, Arrival of the Ram King - PARADISE LOST II, 2011-2013. Oil, acrylic, enamel, glitter and rhinestones on Birch wood 9 x 9 in. Two panels, overall installed.

      Raqib Shaw’s Idiosyncratic Paradise

      Tuesday, 26 November 2013 09:00

      Indian artist Raqib Shaw’s monumental exhibition Paradise Lost at Pace Gallery, New York, of large meticulously painted fabulations rendered like an overlay of inlaid mosaic tiles is exhilarating beyond belief.  The viewer is drawn at once to its spellbinding craftsmanship and exuberance, and the everlasting lure of decadence. But in fact Shaw delivers quite the […]

    • Tatiana Berg, Mallory, 2013. Acrylic on Yupo paper. 52 x 40 in. Image courtesy of Hansel and Gretel Picture Garden, New York.

      The Jewel Box Review at Hansel & Gretel Picture Garden

      Monday, 25 November 2013 09:00

      In the contemporary art world, one of the most challenging undertakings is to curate a group show. Featuring the recent works of six artists of diverse backgrounds, the current exhibition at Hansel and Gretel Picture Garden asks bold questions. Is the centuries-old quarrel between painting and sculpture still relevant and how can an artist complicate […]

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