Boothe and Cohen created the piece while completing a collaborative residency at the Corning Museum of Glass in 2012. Interested in 14^th to 19^th century Tibetan Thangka paintings, the two artists worked to create a large-scale glass installation that would interpret the rich imagery while existing in a space between ancient metaphor and personal imagination.

Intuitively proximate to Buddhist philosophy, the piece is about the inter-relatedness of things. Each glass part appears sentient and in direct communication with the others. In a Thangka painting, none of the forms are meant to be isolated but work together to invite the viewer to take the painting in at once, as a whole. Similarly, all of the pieces in Boothe and Cohen’s installation contribute to a sense of continuous breath or movement, which is enhanced by light reflecting through the glass.

One viewer remarked that the installation reminded her of reading, “The Dream of the Red Chamber,” a Chinese classic novel that encompasses an entire Chinese Dynasty’s history. She remarked that the piece was like the book, not only because of it ancient imagery but also because of its panoramic quality and the consequent sense of undertaking an adventure.

Moving through the piece, Between Seeing and Knowing is like going on an adventure—an adventure that is historical, deeply personal and fresh. The show will be up at the Accola Griefen Gallery on West 27^th street through October 12^th.

By Elizabeth Crawford

The post Between Seeing and Knowing by Anna Boothe and Nancy Cohen appeared first on NY Arts Magazine.