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	<title>NY Arts Magazine &#187; Art Mûr</title>
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		<title>Beyan Ramsey’s “Soft Tissue” Explores a Tough Issue</title>
		<link>http://www.abrahamlubelski.com/beyan-ramseys-soft-tissue-explores-a-tough-issue/</link>
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		<pubDate>Wed, 13 Mar 2013 21:35:25 +0000</pubDate>
		<dc:creator><![CDATA[mauri]]></dc:creator>
				<category><![CDATA[News-Previews]]></category>
		<category><![CDATA[Art Mûr]]></category>
		<category><![CDATA[Beyan Ramsey]]></category>
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		<category><![CDATA[Montréal]]></category>
		<category><![CDATA[Québec]]></category>

		<guid isPermaLink="false">http://www.abrahamlubelski.com/?p=9218</guid>
		<description><![CDATA[<p>“It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests-and so perfectly within their rights!” &#8211; Upton Sinclair, The Jungle Beyan Ramsey takes a [&#8230;]</p><p>The post <a rel="nofollow" href="http://www.abrahamlubelski.com/beyan-ramseys-soft-tissue-explores-a-tough-issue/">Beyan Ramsey’s “Soft Tissue” Explores a Tough Issue</a> appeared first on <a rel="nofollow" href="http://www.abrahamlubelski.com">NY Arts Magazine</a>.</p>]]></description>
				<content:encoded><![CDATA[<p>“It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests-and so perfectly within their rights!” &#8211; Upton Sinclair, The Jungle</p>
<p>Beyan Ramsey takes a step back from the camera as he investigates meat and our experience with it. Through a series of sculptures that fuse together cast-moldings of pigs, cows and human body parts, “Soft Tissue” chronicles the transition from animal into meat. With life-like pieces molded together in a seamless continuity – but left headless, splayed and drained – the audience is forced to face Ramsey&#8217;s faceless emphasis on the materiality of flesh. Human and animal becomes one. Meat is seen as an object of both beauty and disgust, as well as a product of nature and civilization.</p>
<p>Rhéal Olivier Lanthier reflects, &#8220;Most of us are carnivores, but we try to keep a distance between ourselves and the industries that provide us with our daily dose of animal. In this new body of work, Bevan Ramsey pushes us towards a possible future of meat making — one that does not look seductive.&#8221;<br />
Bevan Ramsay: Soft Tissue will be on view at Art Mûr in Montréal, Québec, Canada from March 9 – April 27, 2013.</p>
<p>The post <a rel="nofollow" href="http://www.abrahamlubelski.com/beyan-ramseys-soft-tissue-explores-a-tough-issue/">Beyan Ramsey’s “Soft Tissue” Explores a Tough Issue</a> appeared first on <a rel="nofollow" href="http://www.abrahamlubelski.com">NY Arts Magazine</a>.</p>]]></content:encoded>
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