• Guglielmo Achille Cavellini, With Stickers, 1980. Courtesy LYNCH THAM.

      Remebering Guglielmo Achille Cavellini at Lynch Tham Gallery

      Tuesday, 22 October 2013 09:00

      Entering LYNCH THAM gallery and looking at the show of Guglielmo Achille Cavellini, I could not help it but imagining the tall, thin, slightly bent but all the same elegant old man I met in 1989. It was the year before his death and his son Piero, a dealer, had put together a wonderful, small […]

    • Image courtesy of Uri Gershuni and Sternthal Books.

      Yesterday’s Sun by Uri Gershuni from Sternthal Books

      Monday, 21 October 2013 15:44

      The haunting photographs in Uri Gershuni’s latest book Yesterday’s Sun pit contemporaneity against nostalgia in creating a series of images that not only capture lost moments in time, but also give the same urgency to the present day. Gershuni follows in the footsteps of William Henry Fox Talbot, one of photography’s pioneers, recapturing his estate […]

    • Andrew Dadson, White-Re-stretch (6 parts), 2013. Oil on linen, dimensions variable. Image courtesy of Galleria Franco Noero.

      Andrew Dadson’s Suburban Suprematism at Galleria Franco Noero

      Monday, 21 October 2013 09:00

      A series of black and white surfaces, halfway between paintings and sculptures, articulate the walls in the new spaces of Galleria Franco Noero. Suburban Suprematism is the title of the third exhibition that Andrew Dadson presents in the gallery in Turin. The title itself reveals two of the main sources of Dadson’s artistic research: the […]

    • Dana Levy, The Fountain (detail) 2011. Image courtesy of Sternthal Books.

      Dana Levy’s World Order from Sternthal Books

      Friday, 18 October 2013 09:00

      Abandoned spaces, preserved materials, and the lingering feeling of a life once lived—these are all necessary components in the video and photography work of Dana Levy. Her new monograph World Order, published for her solo exhibition at the CCA in Tel-Aviv, highlights her interest with the appropriation, display and study of everyday curiosities. The two […]

    • Christodoulos Panayiotou, Never Land, 2008. Photo Credit: Archive of the Newspaper Phileleftheros, Nicosia, Cyprus.

      Stories of History: Christodoulos Panayiotou at Casino Luxembourg

      Wednesday, 16 October 2013 09:00

      At the Casino Luxembourg – Forum d’art contemporain, artist Christodoulos Panayiotou deciphers the history and sociology of contemporary society. This subtle and astonishing exhibition strikes a wonderful chord. For over ten years, the Cypriot artist Panayiotou has delved into contemporary history through that of the island where he was born, to show the different layers […]

    • Noah Becker, Allegorical Composition #6, 2013. Oil on canvas, 6 x 5 ft.

      Trying Not to Think Too Much: the Work of Noah Becker

      Monday, 14 October 2013 09:00

      Noah Becker’s first solo exhibition in New York since 1999 will open at the Lodge Gallery on November 7th, 2013 from 7 to 9pm. Many of the works were generated in the last two years out of his studio in Brooklyn. They break the seal of white noise haunting the Lower East Side, where exaltation […]

    • Jesse Sugarmann, still from California Bloodlines Part 2, 2013. Image courtesy of Fourteen30 Contemporary.

      Subverting Deadly Materials: The Work of Jesse Sugarmann

      Thursday, 10 October 2013 09:00

      A recent Facebook comment on the artistic validity of a social practice project made a snarky case that war could too be considered art, due to its impact and sublime scale. If one took up this misguided thought experiment, then an elaborating context could be the rhetoric of Italian Futurists. As they posited, the tools […]

    • Leidy Churchman, Rat, 2013. Image courtesy of Boston University Art Gallery.

      Report from Boston, Fall 2013.

      Wednesday, 9 October 2013 09:00

      Some meaningful statements on painting are being made in Boston this fall. At the Institute of Contemporary Art is Expanding the Field of Painting, highlighting works from the ICA collection that challenge the orthodoxy of traditional materials, subjects, and techniques of the genre. While challenging the orthodoxy of painting’s, well, everything has been going on […]

    • MICHAEL ZELEHOSKI
Chutes and Ladder, 2013. Assemblage with ladder and found wood
45 x 31 in.

      (de)constructions at Backslash Gallery

      Tuesday, 8 October 2013 09:00

      Showcasing four artists who hail from four different countries; Belgium, The Netherlands, The United States, and France, Backslash Gallery has put together a cohesive show of artists working in similar veins but from different parts of the globe. These artists use codes and forms centring on the theme of construction and deconstruction. Populating the gallery […]

    • Dreaming of Magritte

      Saturday, 5 October 2013 21:21

      In New York City at the Museum of Modern Art you are standing before“The Treachery of Images” (1929). It is a painting of a single object, a pipe, under which are the words, “Ceci n’est pas une pipe.” (This is not a pipe.) Why the denial? Of course, this may be a pipe but the […]

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