• Theo Rosenblum, Point of Entry, 2012. Resin clay on aluminum and wood 33 x 25 x 3 in. Photo credit: Argenis Apolinario. Image as Courtesy the artist and Vito Schnabel.

      Theo Rosenblum’s Grim Equality with Vito Schnabel

      Tuesday, 11 February 2014 19:30

      Theo Rosenblum’s third solo show with Vito Schnabel features a series of black, monochromatic reliefs, which are a shift from the artist’s typically colorful and ebullient, pop-infused sculptures. The show is a darkly romantic meditation on the power dynamics of predator and prey, as well as death and the manifold forms it takes on, both […]

    • Vincent Desiderio, Transubstantiation, 2013. Image courtesy of Marlborough Gallery.

      Vincent Desiderio at Marlborough Gallery

      Sunday, 9 February 2014 09:00

      Vincent Desiderio is perhaps settling too comfortably into the role of master.  Long considered one of the more skilled and thoughtful painters of our generation, his impressive 2011 showing at New York’s Marlborough put him amongst our best.  The exhibition remains a peak moment in Desiderio’s career, where decades of discipline, contemplation, experimentation and deliberate […]

    • Michaelangelo Pistoletto and his symbol for the Third Paradise. Image courtesy of Galleria Continua.

      Michelangelo Pistoletto and the Third Paradise

      Friday, 7 February 2014 09:00

      Creativity and art can bring society towards a more responsible and sustainable world. With this, the final phase of Michelangelo Pistoletto’s work, one which looks to the future, the “Terzo Paradiso” (Third Paradise), is announced. The artist exhibits recent works and old pieces in an ongoing solo show at the Galleria Continua, which reflects eighty […]

    • Jesse Greenberg, Ball Brick Purple, 2013. Image courtesy of Derek Eller Gallery

      Jesse Greenberg’s Sensual Materialism at Derek Eller Gallery

      Thursday, 6 February 2014 09:00

      For his first solo exhibition in New York, Jesse Greenberg reveals himself as a sensual materialist who balances freely between the two seemingly incongruous worlds of the natural and synthetic. The works range in scale from midsized to small sculptures and reliefs, and are arranged in a way that is comfortable, intimate, and results in […]

    • John O'Connor, Portrait of a Psychopath, 2012, Graphite and colored pencil on paper, 74 x 73 in.

      The Phantom: John O’Connor’s “Machine and the Ghost”

      Monday, 20 January 2014 09:00

      How persistent is the wish to somehow find a human face in whatever kind of art—to see a real presence there that invites us to know its secrets and enjoy its troubles? How powerful is that illusion of a real presence, when a ramshackle and effaced effigy, an ugly or beautiful scarecrow clothed and stuffed […]

    • Jake and Dinos Chapman,The Sum of all Evil (detail), 2012-2013. Fibreglass, plastic and mixed media in four vitrines 84 5/8 x 50 11/16 x 98 3/8 in. Courtesy White Cube. © Jake and Dinos Chapman

      Jake and Dinos Chapman At Serpentine Sackler Gallery

      Friday, 17 January 2014 09:00

      “We are sore-eyed scopophiliac oxymorons … disenfranchised aristocrats, under siege from our feudal heritage … our bread is buttered on both sides …” this was stenciled on the gallery wall as the artists introduction to the world over twenty years ago—fledglings from the nest of Gilbert & George, having once been their art technicians—yet arriving […]

    • Russell Tyler, Loading, 2013. Oil on canvas. 40 x 30 in. Image courtesy of the artist.

      Muted Beauty: Russell Tyler at DCKT Contemporary

      Wednesday, 15 January 2014 09:00

      Russell Tyler’s Solo show at DCKT in the LES returns back in the direction of bad painting but stops midway at a comfortable apex. He has come a long way since I first saw his work at Freight and Volume in 2010. I remember clearly thinking about Kim Dorland when I saw Tyler’s paintings at […]

    • Rosalind Nashashibi, The Deliveryman, installation view, 2013. Image courtesy of Objectif Exhibitions.

      Rosalind Nashashibi’s The Painter and the Deliveryman

      Tuesday, 14 January 2014 09:00

      With The Painter and the Deliveryman Rosalind Nashashibi offers a play on motifs, causality and narrative. Arriving at Objectif Exhibitions in Antwerp, the visitor is greeted by the emptiness of the ground floor gallery, a spacious white-walled and concrete-floored contemporary art space with large windows overlooking a small courtyard. The two 16mm films that give […]

    • Robert Wilson, The Life and Death of Marina Abromovic. 2013. Performance at the Park Avenue Armory. Photo Credit: Joan Marcus.

      Robert Wilson’s Life and Death of Marina Abramovic

      Friday, 10 January 2014 09:00

      Marina Abramovic, Yugoslavian performance artist famous for her long durational works once said, “The only last thing an artist can control—his own funeral.” She in fact wrote her last will and testament in which she wants three coffins to be buried in three different countries, and her memorial ceremony to be a celebration of life […]

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      Nina Zivancevic Floats On By In Gabriela Arnon’s Pyramid Lake

      Thursday, 9 January 2014 09:00

      On a cold and busy post-holiday season night in which we turn around looking for a friendly face, or for a sign of humanity in this high-techno dehumanized big-city flow…I’m closing my eyes and opening my ears to Gabriela Arnon’s  sounds coming from her third, newly released album “Pyramid Lake”. This extraordinary  singer, songwriter and […]

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