• On Self-Determination

      Monday, 2 April 2012 16:56

      Power is a function of its privileged ruling elite. To be properly ‘British’ is to submit to English hierarchy and to recognize, affirm and assert the glory of its value system. This is achieved domestically on a daily basis within ‘British’ education and cultural institutions. Those who oppose this supremacist ideology are criticized for not […]

    • Week In Review: Photography and Its Discontents

      Friday, 30 March 2012 18:04

      Is the work that was once considered to be revolutionary now banal and overrated? What is happening photography-wise in the city? A lot seems to be recycled, old and nostalgic photography that the public will appreciate. Don’t get me wrong, they are still powerful and important pieces, but they belong to a different era. So, […]

    • The Opposite of Voyeurism

      Thursday, 29 March 2012 18:45

      NY ARTS:  This recent body of work at Dodge Gallery references history, kitsch and the body in a declarative manner.  Do you see these as voyeuristic? Ellen Harvey:  I think these works are about the opposite of voyeurism.  Voyeurism for me is about intruding into someone else’s private world — the forbidden thrill of spying out […]

    • The State of Sculpture at Palm Springs Art Museum

      Wednesday, 28 March 2012 21:46

      Happenstance, was stopping in at a Farmer’s market for among items a gallon of high octane green juice grounded with grapefruit. My friend had offered, that a nearby sign indicating a new branch of the Palms Springs Art Museum here in Palm Desert was misleading as the new location for the mother ship operation did […]

    • Occupy Naples Meets Occupy Museums

      Tuesday, 27 March 2012 15:53

      Today, the request for new public spaces to share art and experiences is raising worldwide. In New York, Occupy Museums, the offshoot to Occupy Wall Street launched last November, set a “Free Art for Fair Exchange” during the Armory week, giving free art to passengers just in front of the famous piers 92-94. The New […]

    • In Conversation: Jennifer Samet Interviews Elena Sisto

      Monday, 26 March 2012 17:52

      Then I finished the first group of “Girl” paintings I felt that I needed to work from life to get more ideas about light and color. I prefer not to work from a model unless it is family and they were sick of it. So I started working from objects. I became interested in the […]

    • Salt in the Wound

      Thursday, 22 March 2012 16:58

      The film opens with Gianni trying to salvage what is left of his inheritance from his extravagant spending mother, Madame Valeria, by having himself appointed her power of attorney. Her vitality and sharpness, however, lean in her favor and Gianni must sit back as her love for designer clothes and fine wines puts them both […]

    • Matthew Ritchie’s Universal Quest

      Wednesday, 21 March 2012 16:41

      How would God, if he was an artist and a scientist, see our universe from beginning to end in fast-forward? We can see the artistic and scientific answer to that question in Matthew Ritchie’s multimedia works. The objects he creates are monumental and extremely exciting. Ritchie started to think about the universe and its possible […]

    • On Crystal Bridges: Arkansas Enters The Art Scene

      Tuesday, 20 March 2012 15:56

      The Crystal Bridges Museum, which opened in November of last year with the financial assistance of Walmart heiress Alice Walton, is an atypical museum of American art. Nestled in Bentonville, a town in the Northwest corner of Arkansas, Crystal Bridges provides a unique experience and free admission for its ever-increasing number of visitors. While many […]

    • Robert Sagerman: It’s Time

      Monday, 19 March 2012 17:22

      Much like most art worth talking about, being in the presence of the new paintings by Robert Sagerman is the only way to really feel their significance. Recently on view at Margaret Thatcher Projects, the show is fittingly titled “It’s Time.” With each work listed by the number of paint dabs accumulated on the painting […]

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