• The Post-Natural Wild

      Tuesday, 11 September 2012 17:15

      This September, over one dozen American artists will come together in Brooklyn to share what “Wildlife in the Post-Natural Age” looks like. The works range from drawing to painting, video animation, sculpture, and photography. The show focuses on work that addresses the interplay between wildlife and our domesticated selves and spaces. “It probes the persistence […]

    • In Between & Outside

      Tuesday, 11 September 2012 17:04

      In Between & Outside is a series of portraits by Sara Swaty exploring gender identity and the body across a broad spectrum of individuals. The works were created with an interest in how cultural preconceptions about gender have created unattainable ideals about masculinity and femininity. Subjects range from those born into a gender they do […]

    • The Future of Housing

      Tuesday, 11 September 2012 16:50

        In his book, Green Metropolis, author David Owen makes a convincing argument that New York City is the most sustainable city in the U.S. Smaller residential units, higher densities, fewer households owning automobiles, fewer miles traveled for those who do own automobiles, all contribute to a more sustainable environment. Essentially, less energy is used […]

    • The Price of Sex

      Monday, 10 September 2012 19:01

      The Price of Sex is a documentary film and photo exhibit about women in Eastern Europe who fell through the cracks of migration. With the fall of the Berlin Wall in 1989, Eastern Europeans finally had a chance to taste raw capitalism. The unfortunate reality was that the vulnerable and uneducated lacked the necessary skills […]

    • Hugo Crosthwaite: Carnivorall

      Tuesday, 4 September 2012 18:57

      Pierogi’s latest exhibit presents recent drawings by Hugo Crosthwaite. Included in this exhibition is a series of small notebook-size drawings in ink and wash that explore the artist’s process of visually consuming his surroundings like a predatory carnivore. He stalks images and feelings with a wryly humorous bent. He then recomposes them into a personal […]

    • Humanity Comes Undone

      Tuesday, 4 September 2012 18:49

      In Come Undone, a new exhibition displaying the new body of work by sculptor Beth Cavener Stichter, the artist cleverly selects animal forms as human surrogates. Using their nonthreatening images, devoid of specified associations, she is able to convey relatable stories and emotions we might otherwise dismiss out of hand. “Cavener Stichter cajoles the viewer […]

    • All Dat Glitterz Ain’t Goals

      Tuesday, 4 September 2012 18:35

      In Lyons Wier Gallery’s latest exhibition, All Dat Glitters Ain’t Goals, Fahamu Pecou expands upon his 2011 exhibition in Paris, HARD 2 DEATH, by utilizing his familiar trope of self-portraiture to challenge and dissect society’s representation of black masculinity in popular culture today. The title, All Dat Glitters Ain’t Goals, is an obvious play on […]

    • Felandus Thames: Mixtape

      Tuesday, 4 September 2012 16:30

      Jenkins Johnson Gallery, New York is proud to present Mixtape, the first New York solo exhibition by multimedia artist Felandus Thames. Mississippi-born Felandus Thames, who received his Master of Fine Arts degree from Yale University, creates a broad and varied body of artwork that includes photography, painting, screen-printing, multimedia works, and installations. His diverse oeuvre […]

    • Shantell Martin’s Continuous Line

      Thursday, 30 August 2012 17:59

      This September, be sure not to miss Black & White’s latest exhibition Continuous Line — a large-scale, first solo exhibition of works made specifically for the exhibition by the Brooklyn-based, British visual and performance artist Shantell Martin. The exhibition’s title refers to the artist’s continuous endeavor to transform her ongoing internal monologue into a visual […]

    • In Conversation: Joshua Abelow Interviewed By Jason Brinkerhoff

      Thursday, 30 August 2012 14:09

      JB: Your paintings are made inside a system of rules. How does the act of painting influence these rules? JA: My systems are more like guidelines that help me maintain control of the painting. Most of the time, I take a piece of linen or burlap and I stretch it over a store-bought canvas—I gesso […]

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