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Constructing Liquid Veils: An Interview with Claire Chesnier
Tuesday, 12 November 2013 09:00Matthew Hassell: Where do you find inspiration for your compositions? Are they organically evolving through your process, or are they sourced from the outside world somewhere? Claire Chesnier: My compositions proceed from the avoidance of the edges of the paper facing me. The shapes I create result from a physical relation with the support: its […]
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Between Asking and Telling: An Interview with Rachel Beach
Friday, 8 November 2013 09:00Matthew Hassell: Outside of previous work, where do you find inspiration to begin a new sculpture? Rachel Beach: The works usually begin with something very elemental. I try to simplify—I think about a construction: how do you build something … a stack, a mark, a seam, an edge, the intersection of two things, a point […]
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Gianni Caravaggio and the Essence of the Image
Wednesday, 6 November 2013 09:00For years now Gianni Caravaggio’s work has insistently been posing a single question: what is the essence of an image? Posing this question at the end of postmodernity means freeing oneself from any fears of comparisons with the past, shedding all neo-isms, post-isms, and trans-isms to expose oneself to an original gesture, to an initial […]
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Dealing Drugs with Jibade-Khalil Huffman
Tuesday, 5 November 2013 09:00In his first solo exhibition at Samuel Freeman in Los Angeles, The Four People You Meet at Every Drug Deal, Jibade-Khalil Huffman brought his viewer into a world of myriad, reflecting surfaces; a coreless expanse of language and image that flitted over the face of something unutterable. Huffman showed work in a range of media […]
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Photographic Testament: Revamping the Holy Bible
Monday, 4 November 2013 09:00The bible has been a pillar of society since its writing centuries ago. At the same time, it is a fractured and controversial document wrought not only by the wars fought in its name, but also by conflicts over the document itself, how it should be read, translated, and distributed. There are countless versions, each […]
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Cinema Without Conscience: Tony Zaza Takes in NYFF 51
Friday, 1 November 2013 09:00The 51st New York Film Festival is more of a milestone than the 50th Anniversary edition. The Festival demonstrates that American filmmaking has fully transformed itself from a plastic form of storytelling in time and motion, into a form of self-indulgent self-centered vanity. This was to have been expected. Since the mid-1990s, celebrity has been […]
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Uprooted: Laurent Chéhère’s Flying Houses
Thursday, 31 October 2013 09:00Be prepared to let your imagination carry you away while visiting French artist Laurent Chéhère’s first solo exhibition in the U.S. at Muriel Guépin Gallery, opening November 1. This fantastical exhibition features a series of recent photographs, many of which have never before been exhibited in a series entitled Flying Houses. Each photograph depicts a […]
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Shirley Jaffe’s Language of Coexistence at Tibor de Nagy
Wednesday, 30 October 2013 09:00Bursting with colors so gorgeous they could have been mixed by Matisse, Shirley Jaffe’s paintings bring a rare excitement to our senses. The American artist moved to Paris in 1949 and has lived and worked there ever since. Her early works, with thick brush strokes of pigment and strong gestures, were in the style of […]
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Mourning the Loss of a Legend: Good Bye Lou Reed
Monday, 28 October 2013 16:44Lou Reed, the singer, songwriter and guitarist whose work with the Velvet Underground in the 1960s had an impact on generations of rock musicians, and who remained a powerful if polarizing force for the rest of his life, died on Sunday at his home in Southampton, N.Y., on Long Island. He was 71. We respectfully […]
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Rebuilding Subliminal Models: the work of Malcolm Morley
Monday, 28 October 2013 09:00Malcolm Morley’s paintings share a connection with Pop Art—but he isn’t a Pop Artist. He created his work using methods similar to the Photorealists—but he isn’t one of those either. The artist just does not fit into any one particular genealogy; this connection to Photorealism, or Superrealism—as he named it—was discarded by the artist in […]