• Gillian Iles, A Combination of Nerve and Wit, 2013. 5 panels mixed media, 102 x 118 in. and sculptures of variable sizes. Image courtesy of the artist.

      Gillian Iles: You Can Only Get There From Here

      Thursday, 12 December 2013 09:02

      The title itself is a little bit strange. Where is here and where is there? Why does anyone want to get from here to there? Stepping into Red Head Gallery we come face to face with a combination of nerve and wit, a painting of a large dark tunnel that seems ready to swallow us. […]

    • Eileen Quinlan, Sister, 2013. Gelatin silver print. Image courtesy of Miguel Abreu Gallery.

      Eileen Quinlan’s Curtains at Miguel Abreu

      Monday, 9 December 2013 09:01

      The appropriately titled Curtains, Eileen Quinlan’s spare exhibition at Miguel Abreu, unsettles in ways few shows dare. The 24 black-and-white prints, all gelatin silver, communicate a spirit that is both cryptic and choleric. They dampen, these images, as in deaden. They silence. One feels in their presence as if having stepped into the afterings of […]

    • Dave Schubert, Dash Snow in the Bathtub, 2013. Enlarged C-print. Image courtesy of Rox Gallery.

      Beware the Membrum Virile: Ascension Exhibition at Rox Gallery

      Friday, 6 December 2013 09:00

      The press release for Ascension describes an exhibition where “fragmentation abounds in multitudinous ‘selves’, highlighting large-scale interactions between national and, arguably, mystical realms.” My impression, however, in moving through the two-level group show was that the artists in the gallery’s meandering lower level were engaged in a more interesting and urgent discussion about a virulent […]

    • Image courtesy of Lang/Baumann and Gestalten Press.

      More is More by Lang/Baumann

      Thursday, 5 December 2013 09:00

      Whether you see them as architects, sculptors, painters, or installation artists, one thing is clear: Lang/Baumann are here to bend your mind. Their large-scale installations consistently challenge the boundaries between the surreal and the commonplace, and their book, More is More, is a vivid portrayal of their best work. More is More is a photo […]

    • Detail of a work by Henry Darger. Image courtesy of the author.

      Beyond the Wall: Outsider Art Goes Inside

      Wednesday, 4 December 2013 09:00

      This past October, famed UK street artist Banksy spent a month in New York City, leaving behind 31 provocative works in public spaces scattered throughout the city’s five boroughs. Each new piece threw the press and public deeper into the kind of frenzy usually reserved for pop culture events like a new Harry Potter book […]

    • Evie Falci, Clotho, 2013. 
Rhinestones on denim 
66x 60 inches.

      The Necessary Magician: Irena Jurek Talks Work With Artist Evie Falci

      Tuesday, 3 December 2013 09:00

      Irena Jurek: When I look at your work I think about how it’s in dialogue with ancient ideas and the origins of abstraction. Kandinsky is often accredited with having invented abstraction, but it’s existed for so much longer than that. Evie Falci: If you look at Paleolithic art, it’s filled with spirals and dot work, […]

    • Michael Zanksy, Flatland 5, 2013. Blowtorch on paper, 52 x 72 in. Image courtesy of the artist.

      Burning Man: The work of Michael Zanksy

      Monday, 2 December 2013 09:00

      Who needs Banksy when you have Zansky as a natural resource?  His fire drawings now on view at Stefen Stux are a remarkable mix of skill and innovation. These large scale line drawings have the look of faded sepia sketches of Da Vinci or badly faded enlarged photocopies of twentieth century cave paintings. Upon closer […]

    • Helmut Federle, Ferner K, 2013.
Vegetable oil, acrylic on canvas 19 5/8 x 15 3/4 in. Image courtesy of Peter Blum Gallery New York.

      Helmut Federle’s Ferner Paintings at Peter Blum Gallery

      Friday, 29 November 2013 09:00

      The Ferner-paintings, which Helmut Federle painted in 2012 and 2013, are restrained and quiet, and yet they radiate a determining power. They evade one’s view and, because of this, create an optical vortex. All of the paintings are the same size, only 50 cm high, and show only one form: a circle. The blurred borderline […]

    • Johnny Tragedy avoids injury from potentially harmful mishaps while at the same time concealing his second identity by wearing a piece of his new work.

      Born Tragedy: Mark Sengbusch talks to Stanish and Tragedy

      Wednesday, 27 November 2013 09:00

      Superman is different than most Super Heroes. His disguise is Clark Kent. He was born Superman. Where Bruce Wayne’s disguise is Batman. Alter egos occur in Pop Culture too. Take Prince, David Bowie, Hanna Montana/Miley Cyrus or Kool Keith. Japanese printmakers would change their names mid-career to create a fresh buzz. Authors too. Isaac Asimov […]

    • Raqib Shaw, Arrival of the Ram King - PARADISE LOST II, 2011-2013. Oil, acrylic, enamel, glitter and rhinestones on Birch wood 9 x 9 in. Two panels, overall installed.

      Raqib Shaw’s Idiosyncratic Paradise

      Tuesday, 26 November 2013 09:00

      Indian artist Raqib Shaw’s monumental exhibition Paradise Lost at Pace Gallery, New York, of large meticulously painted fabulations rendered like an overlay of inlaid mosaic tiles is exhilarating beyond belief.  The viewer is drawn at once to its spellbinding craftsmanship and exuberance, and the everlasting lure of decadence. But in fact Shaw delivers quite the […]

    Page 41 of 116« First...102030...3940414243...506070...Last »