-
Jake and Dinos Chapman At Serpentine Sackler Gallery
Friday, 17 January 2014 09:00“We are sore-eyed scopophiliac oxymorons … disenfranchised aristocrats, under siege from our feudal heritage … our bread is buttered on both sides …” this was stenciled on the gallery wall as the artists introduction to the world over twenty years ago—fledglings from the nest of Gilbert & George, having once been their art technicians—yet arriving […]
-
Charlotte Meyer’s Top 5 Exhibitions of 2013
Thursday, 16 January 2014 09:00Charlotte Meyer lives in Brooklyn, N.Y., graduated from Pratt Institute in 2009, and received the Joan Mitchell Foundation Award in recognition of the school. She is a Visiting Critic at R.I.S.D. is represented by Opus Projects, and is scheduled to exhibit new work at the Chelsea location in 2014. Here are her favorite shows of this […]
-
Muted Beauty: Russell Tyler at DCKT Contemporary
Wednesday, 15 January 2014 09:00Russell Tyler’s Solo show at DCKT in the LES returns back in the direction of bad painting but stops midway at a comfortable apex. He has come a long way since I first saw his work at Freight and Volume in 2010. I remember clearly thinking about Kim Dorland when I saw Tyler’s paintings at […]
-
Rosalind Nashashibi’s The Painter and the Deliveryman
Tuesday, 14 January 2014 09:00With The Painter and the Deliveryman Rosalind Nashashibi offers a play on motifs, causality and narrative. Arriving at Objectif Exhibitions in Antwerp, the visitor is greeted by the emptiness of the ground floor gallery, a spacious white-walled and concrete-floored contemporary art space with large windows overlooking a small courtyard. The two 16mm films that give […]
-
Keith J. Varadi’s Top 5 Exhibitions of 2013
Monday, 13 January 2014 09:00Keith J. Varadi is an artist, writer, and curator currently based in Los Angeles. He is a co-founder and member of the collective, Picture Menu. Here are his selections for the best shows of 2013: 1. Larry Bamburg, BurlsHoovesandShells at Simone Subal Gallery, New York Jerry-rigged ecosystems, towers constructed from bones and gold, and artificial earth compositions […]
-
Robert Wilson’s Life and Death of Marina Abramovic
Friday, 10 January 2014 09:00Marina Abramovic, Yugoslavian performance artist famous for her long durational works once said, “The only last thing an artist can control—his own funeral.” She in fact wrote her last will and testament in which she wants three coffins to be buried in three different countries, and her memorial ceremony to be a celebration of life […]
-
Michele Alpern’s Top 5 Exhibitions of 2013
Wednesday, 8 January 2014 15:41Michele Alpern is an artist and writer based out of New York. Not including any of the superb shows by artists she knows personally, here are her selections for the most inspiring exhibitions of 2013: 1. Jean-Luc Godard, The Spirit of the Forms, at the Film Society of Lincoln Center, New York Near-complete retrospective of a profound body […]
-
Irena Jurek talks Honesty and Sex with Barnett Cohen
Tuesday, 7 January 2014 19:07Irena Jurek: Why did you choose to call your newest video, Radical Honesty? Barnett Cohen: So, I called my video Radical Honesty, because I have a lot of stories, like we all do. Everyone has these humiliating or self-effacing stories. It’s more about things that have happened to me and less about me happening to […]
-
Valery Oișteanu’s Top 5 Exhibitions of 2013
Tuesday, 7 January 2014 09:00Valery Oișteanu (born September 3, 1943) is a Soviet-born Romanian and American poet, art critic, essayist, photographer, and performance artist, whose style reflects the influence of Dada and Surrealism. Oișteanu is the author of more than a dozen books of poetry, a book of short fiction, and a book of essays. Here are his selections […]
-
Comrades of Time, Comrades of Time at Cell Project Space
Monday, 6 January 2014 09:00If Modernism was, in a Greenbergian sense, a mode of calling attention to the conditions and limitation, then contemporary artworks—adopting modern formats—seem to champion what David Joselit calls ‘transitivity,’ that is, works that are referring to information outside themselves. In other words, the specificity of formalism does not lie in the intrinsic value of visual […]