• İrfan Önürmen, Gaze Series #32, 2014. Tulle, 57 x 76.7in. Image courtesy of C24 Gallery.

      İrfan Önürmen’s Existential Veils at C24 Gallery

      Friday, 11 April 2014 09:00

      İrfan Önürmen plumbs the intricacies of existence with a postmodern process-oriented painting strategy that fuses a cartoon drawing aesthetic, tulle collage, and cubist planar construction; effectively obscuring formal classification and raising more questions than it answers. His current show at C24 Gallery persistently mines the many shades and guises of the human condition in subtle […]

    • Film still from Wash, courtesy of the artist.

      On the Misunderstood “Privilege of Art”

      Wednesday, 9 April 2014 01:05

      In the wake of Marcel Duchamp’s celebrated and oft-misunderstood debunking of the myth of the sacred artwork, is it still possible to ask what “Art” signifies in our contemporary cultural context? That is to say, is art necessary in a globalized and confusing world? Does art name an external object of perception (“objet d’art”) as […]

    • Curator Jamillah James. Photo credit: Anna Carnochan

      Learning to relax with Jamillah James

      Tuesday, 8 April 2014 19:39

      I come from a musical background; my mother studied music in school, later teaching vocal and instrumental music in Newark public schools, and I grew up learning and playing multiple instruments. As a young person, I didn’t have much exposure to the visual arts, other than the occasional visit to the Met or the Newark […]

    • Momenta, Installation view from the "Mobility" group show, 2011. Image courtesy of Momenta.

      Leah Oates Talks NYC Culture With Momenta’s Eric Heist

      Tuesday, 8 April 2014 09:00

      Leah Oates: How did Momenta form and what is the mission of the gallery? Eric Heist: Momenta began in 1986 as a group of five young artists in Philadelphia that were interested in having some critical dialog about their work after undergraduate school. We were working day jobs and felt isolated in our studios with […]

    • Image still from Phil. 176/OBIT. Image courtesy of Bushwick Starr.

      A Compatibilist Response to Phil. 176/OBIT.

      Wednesday, 2 April 2014 09:00

      Everybody agrees that “Hey Ya!” is the greatest song. Viscerally and emotionally powerful, its references to history and form leave no doubt as to Andre 3000’s intelligence and artistry. It isn’t often that a piece can create such unanimity of judgment. And, what exists at the other end of the spectrum?  Can a work actively […]

    • A.O. Scott in his natural habitat.

      Nicholas Alexander Boyd Opens The World of A.O. Scott

      Tuesday, 1 April 2014 09:00

      Nicholas Alexander Boyd: What made you decide to become a film critic? A.O. Scott: It wasn’t entirely my decision. I was always interested in criticism as a form of writing, and started out professionally writing about books. I had always been drawn to movies and interested in trying to write about them. I got a […]

    • A scene from Boston Lyric Opera's Rigoletto. Photo by Marina Levitskaya.

      Rigoletto at Boston Lyric Opera

      Thursday, 27 March 2014 20:18

      I happened to be at the premiere of the new production of Rigoletto by Boston Lyric Opera. Unlike any other Rigoletto I’ve seen, this particular production hits you right in the gut. To find out why, I went behind the scenes to interview the director, costume designer, set designer, and main character. I wanted to […]

    • Alex Schweder, The Hotel Rehearsal, 2013. Performance image courtesy of Cristobal Palma

      Charlotte Meyer talks work with Alex Schweder

      Thursday, 27 March 2014 09:00

      Charlotte Meyer: The Hotel Rehearsal contains all the elements of your previous work; architectural space, the dynamics of living in the public, revealing habits that sometimes we keep hidden—but in contrast it takes on popular culture in a seamless presentation. You have created a completely transparent hotel room containing little more than a bed/sofa raised […]

    • Sam Trioli and Tim Donovan of Launch F18. Photo credit: Anna Carnochan

      Catching up with the boys of Launch F18

      Wednesday, 26 March 2014 09:00

      Launch F18 didn’t just happen of its own accord—things shook out almost as if Tim Donovan and Sam Trioli were made to work together. They came to art from opposite angles. Sam started when he was quite young, finding the fire of inspiration in a failed glazing experiment in preschool. Tim found art much later […]

    • Meryl McMaster, Terra Cognitum, 2013. Digital Chromogenic Print
36 x 50 in. Courtesy of the artist.

      Meryl McMaster: In-Between Worlds

      Tuesday, 25 March 2014 09:00

      The claws of a big brown and white animal hugging a tree trunk—that was the first image I saw from Meryl McMaster a few years ago. The figure was completely hidden behind the tree. Was it hiding from some predator? Or was it a predator itself, ready to fly up and attack us in the […]

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