• Inspiration From Many Sources – Leah Oates

      Tuesday, 17 July 2007 15:00

      Leah Oates: When did you know you were an artist?  Stephanie Brody-Lederman: I knew that I was an artist when I was very young. At about five years of age, my mother and I would visit my grandparents and, while they talked in the living room, I would be given a piece of paper with […]

    • Photographs That Will Never Fool Anyone – Lori Nix

      Tuesday, 17 July 2007 14:54

      I consider myself a faux landscape photographer. I meticulously build miniature model landscapes and interior environments and photograph the results. As an artist, I have always looked to the physical world around me for inspiration. My work is a direct reflection of my own landscape, with a particular bent towards disaster and decay. By actually […]

    • The Weight of Waiting – Steven Levenson

      Monday, 16 July 2007 14:49

      On the way to Broadway Gallery’s newest group show, “Waiting,” I couldn’t help but reflect on the serendipitous correspondence of my own situation. Waiting for the bus. Then waiting for the subway. Waiting for the walk light. Waiting for the elevator. Waiting and waiting and waiting. As co-curators Raluca Corjan and Victoria Mayer—as well as […]

    • In the Age of Innocents – D. Dominick Lombardi

      Monday, 16 July 2007 14:41

      The title of this exhibition, “In the Age of Innocents,” brings to mind The Age of Innocence, a novel by Edith Wharton who writes about society, class and culture. However, I suspect Tony Moore is not making a reference, with his spelling of the word “innocents,” to the rules of this society. No. Instead, Moore […]

    • Invigorating Painting with Universal Meaning for the 21st Century – L.P. Streitfeld

      Saturday, 14 July 2007 14:23

      With the world in crisis, it is rare to find a painter who dares to enter the collective unconscious to explore a solution. Yet, this is precisely the monumental task that Michael Manning sets for himself in his dazzling “Contradictions,” exhibited at Pablo’s Birthday in New York this spring. At the turn of the millennium, […]

    • Out of the Closet and into the Box – Firehouse Studios

      Saturday, 14 July 2007 14:19

      In the last 100 years, the male figure has been put into a closet, seen as too potent, homoerotic or even gay. Since long before the time of Michelangelo, the male form was seen as ideal. As Biblically described in Genesis 1:26, “Man was perfect, made in the image of God,” and E. Gibbons is […]

    • Musing Aloud – Barbara Cole

      Saturday, 14 July 2007 14:13

      A friend of mine once remarked that, “honesty lives in the water.” I expect that what he meant by this was that when we are immersed in water we are more concerned with the preservation of the self than with the presentation of the self; water is not home to the ego. My “Underworld” works, […]

    • Butt Johnson’s Meticulous Ballpoint Hybrids – Alex Dodge

      Friday, 13 July 2007 18:28

      Butt Johnson’s work is obsessive to a degree that could overcome even our most severe expectations of an artist confined solely to his work. His elaborately detailed ballpoint pen drawings, some of which have taken as many as two years to complete, combine complex ornamentation from a range of historical repositories with various cultural iconographies; […]

    • The Evolution of Brian Kirhagis – Lauren Gunsel

      Friday, 13 July 2007 18:24

       “I’m no Britney Spears,” said Brian Kirhagis as he walked me into his show at the Brooklyn Artist’s Gym. Given the recent state of the pop star, I was not sure how to take this. He sensed my confusion and laughed. “I mean I can do everything you see here right in front of you, […]

    • Cosmic Earth Oasis Series – D. Dominick Lombardi

      Friday, 13 July 2007 18:06

      Sheila Isham is a real throwback—a pre-war, early German Expressionist kind of gal whose heart lies in a peaceful, mystical place. Her recent show at Walter Wickiser Gallery opened with #420 Cosmic Earth—Oasis Series 41, Nature’s Eve, a highly textured painting that reads as a collage with its somewhat abrupt and technically out of context […]

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