• Theory of Open Flux

      Thursday, 25 September 2008 15:50

      I am an open flux artist. The following attributes that are the target of my creations are the things, I believe, all the contemporary artists who can’t refrain from creating with concern and responsibility should have. To witness “the essence of time” (zeitgeist) once again, that is to be more adverse and radical on this […]

    • A Universal Italian

      Thursday, 25 September 2008 15:00

      There lives within me an insatiable appetite to squeeze from every fragment, a universe. That’s probably the exaggeration factor in all Italians, or all of Latin for that sake. We enjoy amplifying mundane issues and converting them into seemingly life-changing happenings, and what’s worse, we believe them to be universally significant. I take possession of […]

    • A Meditation on Art

      Thursday, 25 September 2008 14:45

      It seems, and this could be already the age, that my motivation to make art is getting more and more simple. At the current moment I could describe my work just as writing a diary before I go to sleep. I don’t care too much about the trends or preferred medias that current fashion dictates, […]

    • An Earful of Art

      Wednesday, 24 September 2008 15:31

      As a musician, I am interested in the sensual nature of sound, its power of synchronization, coordination, release, and change. Hearing represents the primary sense organ—hearing happens involuntarily. Our ears are always receiving, whether or not we are aware of it. Listening is a voluntary process that occurs after the process of hearing takes place. […]

    • The Art of the Animal Instinct

      Wednesday, 24 September 2008 15:25

      Ohad Fishof: In many of your works you are using the voice to initiate a process of other species’ embodiment. Can you talk a little bit about that? What is it about the voice that makes it such am efficient “empathy machine?” Marcus Coates: The physical position is an obvious and undeniable starting point from […]

    • Perplexed in Public

      Wednesday, 24 September 2008 14:33

      This project brings together a select group of international artists whose practice is often the aesthetic manifestation of a will to express a position within the world, whilst generating an exchange with the audience. All participating artists have previously conceived works for public locations and frequently cooperate with other individuals or groups. Their works suggest […]

    • The Intimacy of the Photographic Gaze

      Wednesday, 24 September 2008 12:54

      From the beginning my work has been a reflection on gaze. How do we construct, in our experience, those eyes that look at us fixedly? How do we interpret and elaborate in our psyche the shadows, the highlights, and all the implicit landscape of each photograph? If our way of seeing evolves from social and […]

    • A Somber Carnival

      Wednesday, 24 September 2008 12:44

      I am a young artist based in Ghent, Belgium. Though I studied interior design in college, being an artist has always been my main ambition. After graduating in 2002, I decided to devote myself to art full time. Since then, I’ve shown my work in exhibitions throughout Belgium. My biggest inspirations are Francis Bacon and […]

    • Transnational Visions

      Wednesday, 24 September 2008 12:39

      I love mixing it up. I don’t care where my bits of imagery, paint strokes or techniques come from—once I set them on the canvas, they’re mine and I own them. I have an “everything goes” attitude when it comes to painting. I want it to be inclusive and democratic. Everything can have its say […]

    • Faux Naturale

      Tuesday, 23 September 2008 16:24

      It was around the time the movie The Happening came out when the interview with artist Roxy Paine took place. He had just returned from Art Basel earlier in June, where his latest piece, Inversion, was on view at the entrance to the fair. The Happening, directed by M. Night Shyamalan, is about how nature, […]

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