• Putting the Mod in Modernist – Sarah Northmore

      Saturday, 24 June 2006 03:43

      At the Museum of the Moving Image in Queens, New York, "Digital Play: Reloaded" bleeped and whizzed into its opening–a museum-arcade of nostalgic cabinets (Pac Man, Donkey Kong, Burnout 3: Take Down) alongside Sony’s Eyetoy for Playstation, and a mod of Dance Dance Revolution (known simply as DDR to those in the know) called Stepmania, […]

    • Play! – Molly Kleiman

      Saturday, 24 June 2006 03:41

      English?a language clogged with synonyms?is entirely uncreative in describing play. Try a couple that my Encarta suggests: "Recreation" (sounds institutional); "fool around" (too x-rated); "have fun" (vague). Other languages provide many more distinctions. Play! Molly Kleiman An invite to a conceptual art party: 60 participants with synchronized discmen arrived in Central Park and wandered together […]

    • The Infinite Play of Life: A Discussion with Margot Jacobs – Emily Lodish

      Saturday, 24 June 2006 03:39

      Margot Jacobs is an interaction design researcher who is dedicated to the playful, emotional incorporation of technology in everyday life. She develops innovative design methods and experimental prototypes for social interventions in public space. An American, she now works with the Interactive Institute in Sweden specifically with the former PLAY Studio (recently split and renamed […]

    • Questioning Memory – Christina Yang, curator

      Saturday, 24 June 2006 03:37

      What excites me about this body of work is how it connects Sowon Kwon?s ongoing investigation of the body and subjectivity to her newest thinking about how electronic media shapes the space of memory. Questioning Memory Christina Yang, curator What excites me about this body of work is how it connects Sowon Kwon’s ongoing investigation […]

    • Stefania Carrozzini explores: Beauty in Art, Art in Beauty – Rebecca Seefen-Soliman

      Saturday, 24 June 2006 03:35

      What is beautiful? How do we even attempt to create a criteria? And if something fits that prescription, can it still be beautiful? Stefania Carrozzini explores: Beauty in Art, Art in Beauty Rebecca Seefen-Soliman Exhibition view of "The most beautiful thing I ever saw" currated by Stefania Carrozzini at the Berliner Kunstprojekt. What is beautiful? […]

    • Rhythm Science, by Paul D. Miller, a.k.a. DJ Spooky That Subliminal Kid – Reviewed by Jamey Hecht

      Saturday, 24 June 2006 03:34

      What is the opposite of a one-man show of my own fingernail parings, signatures, and unique medical waste? Collage! A mixture of fragments (I know: "no mo’ po-mo, mo-fo") assembled in the gallery from the many, many, many places where I "found" them. Rhythm Science, by Paul D. Miller, a.k.a. DJ Spooky That Subliminal Kid […]

    • Conceptual Activism: Beuys Now – John Zotos

      Saturday, 24 June 2006 03:31

      The mythic, iconic figure, Joseph Beuys has waited over twenty years for a retrospective in the United States with only one venue, the Menil Collection in Houston, Texas. Overseas in London, the Tate Modern will be the second and last stop of an engaging and timely show that asks almost as much of the viewer […]

    • Wolves Hide Under a White Coat – Natalie Massone Saiph

      Saturday, 24 June 2006 03:29

      The relationship between human and animal is a theme that has threaded itself through art and literature since ancient times. MART?s recent exhibition offers a journey across the centuries: from ancient art to medieval bestiaries; from symbolist representations to contemporary artworks. We are used to hiding our instincts, the dark or weaker sides of ourselves. […]

    • Arcady Kotler: Intersecting Senses – Ann Hirsch

      Saturday, 24 June 2006 03:28

      Like many contemporary artists who work at the improbable yet frequented nexus of Minimalism and Representationalism, Arcady Kotler seeks to create new narrative possibilities by appropriating the pared-down aesthetic of Minimalism as his formal point of departure. As with Felix Gonzalez-Torres? stacks of printed paper, Kotler adopts the white cube as an object, rather than […]

    • Maja Bajevic: New Ways of Working – Kim Dhillon

      Saturday, 24 June 2006 03:21

      Maja Bajevic left Sarajevo in the early 90s to study in Paris, and then found she couldn’t return because of the war. Much of Bajaevic’s work is about this exile and the social and political conditions surrounding it. She had her US solo premier at P.S.1 in Fall 2004, in which she set up thirty […]

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