-
Martin Sastre: La comida estaba deliciosa – Horace Brockington
Sunday, 25 June 2006 04:23Born in l976 in Montevideo, the Uruguayan video artist Sastre now lives and works in Madrid. After receiving a degree in Architecture at the University of Montevideo in l996, Sastre has become part of an emerging group of young nomadic artists moving comfortably between various centers of artistic activity. Martin Sastre: La comida estaba deliciosa […]
-
Digital Futures – Midori Yoshimoto
Sunday, 25 June 2006 04:19The term "new media art" has been around for some time. Starting with video art in the 1970s, it has come to encompass all sorts of technological art, including sound art and, most recently, internet art. "LivePictures: The Digital World Animates Contemporary Art," at the Jamaica Center for Arts and Learning in Queens, New York, […]
-
Techno-Orientalism: Shattering the Mirror of Itself – Maya K�vskaya
Sunday, 25 June 2006 03:41Techno-Orientalism is the theme animating the Beijing Tokyo Art Projects? (BTAP) exhibition for the Dashanzi International Art Festival this May at Beijing 798 Art Factory. Curated by Takehiro Kaneshima and Snejana Krasteva, the pieces exhibited prove how art fused with technology can reconstitute identities, breakdown boundaries and recast relations of power and belonging. Techno-Orientalism: Shattering […]
-
Pleased to Meet You: KimSu Theiler at White Dot Studio, New York – Aaron Yassin
Sunday, 25 June 2006 03:39Let Me Introduce Myself is the second line of an email KimSu Thelier received earlier this year from someone claiming to be her younger half-brother in South Korea that she never knew she had. It is the first in a series of five email messages that inspired Thelier’s installation at the White Dot Gallery on […]
-
Carrie Mae Weems’ first UK exhibition opens in London – Mark Sealy
Sunday, 25 June 2006 03:38Fifteen years ago, Autograph ABP (Association of Black Photographers) organized a national lecture tour for American artist Carrie Mae Weems in England, together with events across various cities. Carrie Mae Weems’ first UK exhibition opens in London Mark Sealy Carrie Mae Weems, May Days Long Forgotten (film stills), 2003. Fifteen years ago, Autograph ABP (Association […]
-
Inapropriate interventions – Carol Lu
Sunday, 25 June 2006 03:35The reception of Chinese contemporary art abroad is not unlike that of Chinese food in most foreign countries. It is exotic, tasty, inexpensive, an increasingly fashionable. When exported, the inexhaustible diversity of Chinese food dwindles down to certain foolproof items likes sweet and sour pork, chicken nuggets with chestnuts, fried rice, and to the more […]
-
Furniture for meditation – Sady Sullivan
Sunday, 25 June 2006 03:28Jae Rhim Lee tells me I will spot her among the other artists at the prayingproject performance festival at Exit Art because she will be "the one in the white onesie." (won-sy: the all-in-one outfit that babies wear). Furniture for meditation Sady Sullivan Jae Rhim Lee, performance with Furniture Set, "prayingproject," Exit Art, 2005. Jae […]
-
The St.Ives New School – Max Andrews
Sunday, 25 June 2006 03:26The practice that Alexis Zelda Stevens cultivated during her residency at ArtSway, a contemporary gallery deep in England’s New Forest, is precarious and precocious; and it might have begun with a pink-painted tree branch or a dinky green ladder. The St.Ives New School Max Andrews Alexis Zelda Stevens, Untitled, 2005. Courtesy of ArtSway. The practice […]
-
Carnival in Glass: Judith Schaechter – Daria Brit Shapiro
Sunday, 25 June 2006 03:24Judith Schaechter, a 2005 recipient of the Guggenheim Fellowship, inaugurates the new location of the Claire Oliver gallery with an intrepid exhibition of stained glass works. Following her four-museum touring exhibition, "Extra Virgin," Schaechter’s "Seeing is Believing" provides a glimpse into the artist’s exquisitely paradoxical world. Consisting of her signature lightboxes, a remarkable large glass […]
-
(Re)Performing the Score – T. Nikki Cesare
Sunday, 25 June 2006 03:17A man naked from the waist up sits on the stage of the silent auditorium, his face in his hands. When he finally moves, it is to vigorously rub his hands against his face. The sound of flesh tormenting flesh slowly crescendos, and as the man’s eyes follow his hands as if they were strange […]
















br> br>

