• Laboratory: Controlled, Clean, Pristine – Cecilia Muhlstein

      Thursday, 4 January 2007 17:01

      Cecilia Muhlstein: Mary Kelly, whose infamous book, Post-Partum Document, is a seminal work of conceptual art, which addresses the role of science, feminism and how the various significations of the body become re-imagined as performance. It seems that in your pieces like The Reliquarium, Mean Body and Rest there is a certain relationship to these […]

    • Waxworks – D. Dominick Lombardi

      Wednesday, 3 January 2007 17:14

      “Wax Works” brings together a brief, albeit multifaceted, survey of wax-based art. Most compelling are the two works of Michael Zansky. His art, which is beyond sense or sensibility, exists as bold hyperextensions of his subconsciousness. In The Nature of Matter and Beyond the Standard Matter, Zansky gouges and paints, adding convulsing forms that bob […]

    • The World is Bound with Secret Knots – Lia Halloran

      Wednesday, 3 January 2007 17:08

      The six figure paintings in the show at DCKT Contemporary explore my interest in the physical forces of nature and the possibilities of how these can interact with, intersect and fragment the body. My work reflects my love of physics and the phenomenon of these unseen natural forces around us. Natural phenomena such as light, […]

    • Cindy Sherman Retrospective – Jovana Stokic

      Wednesday, 3 January 2007 17:03

      Cindy Sherman’s retrospective exhibition by French curators Régis Durand and Véronique Dabin straightforwardly shows the career of a very un-straightforward artist. In Sherman’s photographs, what you see is not what you get. Or, what I get takes me through complex notions of postmodern theories of (female) identity. This is not to say that the curators […]

    • Reexamining Sound Art—3 Recent Projects – Andrzej Lawn

      Wednesday, 3 January 2007 17:00

      With all the new forms of technology affordably available to consumers and artists alike in today’s age, one would think that the realm of sound art is more accessible than ever before and overwhelming in its possibilities. But how far has this new technology allowed artists to reexamine sound as an artistic medium? Have the […]

    • The Best of Friends – D. Dominick Lombardi

      Wednesday, 3 January 2007 16:57

      Gallery director Jonathan Shorr tells me that all of these most recent works by Selma Hafizovic on display in his gallery were inspired by one work, THE BEST OF FRIENDS. Depicted in this oil on canvas are two dark, gray heads closely tucked together. They appear to be emoting, whispering their most intimate thoughts to […]

    • Melanie Pullen

      Tuesday, 2 January 2007 17:52

      Melanie Pullen’s collection of more than 100 photographs that comprise “High Fashion Crime Scenes” is based on vintage crime scene images that she mined from the files of the Los Angeles Police Department, the County Coroner’s Office and other primary sources. Drawn to the rich details and compelling stories preserved in the criminal records, she […]

    • Lou Laurita

      Tuesday, 2 January 2007 17:48

      Anyone who has seen dialogue emerge from the writing on a bathroom wall understands our ability to respond and react to language and its implications. We assimilate a huge amount of information daily—that information comes in many forms. Sound bites, song lyrics, advertisements, blogs, profiles, overheard conversations, the media, etc. This deluge of information serves […]

    • Resurrecting Fase – Andrzej Lawn

      Tuesday, 2 January 2007 17:38

      Seven years since its last production, Anne Teresa De Keersmaeker’s Fase: Four Movements on the Music of Steve Reich, has been resurrected just in time for the 70th birthday celebrations of American composer Steve Reich. Shown as a limited engagement at the Brooklyn Academy of Music, Fase was inspired by Reich’s early experimental musical compositions […]

    • Chris Soria

      Friday, 29 December 2006 17:19

      What we experience in the moment is ultimately possessed by superior tides of an invisible captor. The present is repeatedly handed over to the past, as a fossil of memory, and traded for a future of intangible predictions and expectations. The moment, now, is an opaque curtain that conceals the appearance of history. Behind its […]

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