Author Archives: jolanta
In Like Kin – Shane Phelps
Gallery Kin turns out to be portable, a concept rather than a space. After the interest generated by their underground "SHOW1," the three founders went overground and used "SHOW2" to initiate a new gallery in Lisbon, "Terceira Andar." Although not artistically bound, these three artists exhibit a certain commonality: they share a distaste for the […]
Dancing Minstrels on the Scene – Claudia Albertini
For those not very familiar with the Chinese new documentary movement, the director Wu Wenguang-known as the leading figure of the Urban Generation of filmmakers, and spokesperson for the ‘on location’ aesthetic-is the eye behind the camera that is creatively coordinating avant-garde dance performances at one of the largest contemporary arts events in Beijing, the […]
Absence Performing: In-Between Too Much Order and Too Much Chaos – Beatrice Leanza
With von Neumann’s "Theory of Automata" (brought than to public fruition as AI) popularization in the mid-50s, the very last distance resisting human conceptual boundaries had been covered. And with phusis and techn� (natural and artificial) being swallowed up into the same complexity of the evolutionary process, a third category of discursive practice has opened […]
Quantity or Quality? – Piri Halasz
Seven days a week, The New York Times covers the art scene. Aside from "art news" (prices, prizes, museum expansions, etc.), the biggest share of that coverage discusses contemporary art as defined by Duchamp, when he suggested that anything can be art if the artist says it is. I agree that anything can be art, […]
How Street Art Became High Art: The Art School Method – Julie Fishkin
Like everything else in New York City that has become iconic because of the peculiarity of the activity and the place that bred it, street art–once populating walls, bridges, and the mythic subway trains–has changed into something else entirely. Today, much that we label "street art" probably has its origins in rarified art schools and […]
Diane Arbus: the curatorial neurosis of constructing an icon – Tony Zaza
The concept of the Wabi-Sabi is that of the beauty of the Imperfect. The aesthetic question in the work of Diane Arbus revolves around the nature of her subjects. Diane Arbus: the curatorial neurosis of constructing an icon Tony Zaza Diane Arbus, Two ladies at the automat, N.Y.C. 1966, Copyright ? 1980 The Estate of […]
Earth and the Human Imprint – Tova Beck-Friedman
"A photograph is not just the act of an encounter between an event and a photographer; picture taking is an event in itself." —Susan Sontag Earth and the Human Imprint Tova Beck-Friedman Dubi Tal, First Draft, Northern Negev Desert "A photograph is not just the act of an encounter between an event and a photographer; […]
Death-Defying Facts – Paul Werner
Late at night around the fire, academics speak in hushed tones of the Whifflebird, a mythical animal that chases itself in ever-narrowing circles until it flies up its own tail-end and disappears. At 754 pages and $85.00 US, this book isn’t likely to disappear, just implode. Death-Defying Facts Paul Werner Cover of Hal Foster, Rosalind […]
Spinning Culture – DJ Spooky interviewed by Pravin Sathe
Paul Miller, aka DJ Spooky, mixes the worlds of academia, literature, music and video. Often referencing historic events, DJ Spooky’s multiform work melds the past and the present, and hints at the future Spinning Culture DJ Spooky interviewed by Pravin Sathe Photographer: Michael Raz-Russo. Courtesy Museum of Contemporary Art, Chicago. Paul Miller, aka DJ Spooky, […]
That Other Person, That Other Space – Adam E. Mendelsohn
If the thought of looking at Earth from outer space excites you and you’ve got a spare $190,000 stashed away, then I recommend you go ahead and book your flight on VirginGalactic. If you’re still interested in looking at the universe from the ground, or don’t have the spare cash, then it might be worth […]
